Sunday, August 29, 2010

Lafangey Parindey - the review


Lafangey Parindey - such a strange name. Like the director couldn't decide which word he liked better and decided to go with both. The movie is literally about Lafangey (or Rascals) and figuratively about Parindey (or Birds). The Lafangey are One Shot Nandu (Neil Nitin Mukesh) and his sidekicks who spend their time pumping iron in some Wadi in Mumbai. Pinky Palkar (Deepika Padukone) symbolises Parindey with her aspirations of leaving behind the wadi life and moving up in life with her dancing skills.

As Nandu tries to flee after helping out in a goon's murder, he rams his car into Pinky who loses her eyesight as a result. To assuage his guilt, Nandu teaches her to cope with her blindness and she teaches him to skate and dance. Quite naturally, the feisty Pinky and the taciturn Nandu fall in love. They are all set to compete in "India's got Talent" when trouble rears its ugly head in paradise.

The movie is a good watch and the fast pace of the narrative helps. More than anything, the backdrop of the story with its lower class setting, its tomboyish, aggressive heroine and its local tapori boxing hero hold one's interest. It is a visual relief after all the beauty and gloss that mainstream Bollywood throws at you.
The thing is, that this is the kind of movie that can never really aim to be a blockbuster with its limited scope and premise. Its almost as if the creators thought Deepika and Neil would look great dancing together on skates and made up the rest of the story from there. Its lead actors are also not talented enough to elevate the film above the subject.

Deepika though much improved, continues to find it difficult to establish a connect with the audience. Her dialogues often fall flat to the floor and stay there. She does look the part to a T though. Neil Nitin Mukesh looks hot as the local boxer but sadly his contribution stops there. He is unable to bring any kind of nuance to his role and simply goes through the motions. He also seems too refined and soft spoken at times to be really convincing as the tough talking action hero. Many models have started acting. Maybe Neil can now start the opposite trend. He looks so much better than he acts.

The climax of the movie is also very weak. Shiamak Davar, Juhi Chawla and Javed Jaffrey are brought on as judges of "India's got Talent" and don't have a single line of dialogue to mouth after the all-important final performance! They just wipe their tears! I mean come on! The ease with which the cops capitulate is also completely absurd. Director Pradeep Sarkar seems to lose the plot towards the end. In fact he could have had a better plot. To his credit, he never dips into the melodrama so readily available when you have a blind heroine and a hero who gets beaten up for a living. Huge really when you think that this guy made the totally bullshit Laaga Chunri mein Daaga - a regressive melodrama if ever there was one.

So coming back to Lafangey Parindey. I liked the fast pace, I liked the restraint (coming from Yash Raj that too!), I liked the characterisation, I liked the setting and I liked Nandu and Pinky's love story. So a 6.5/10.

Go watch this movie if you have the time. Go with no high expectations and it will entertain you.

Sunday, August 15, 2010

Aisha - the review


Lesson No. 1: Do not believe everything you read in the papers. The critics who gave this movie their thumbs up and praised it to the skies are LYING! 'Aisha' is one forgettable movie from start to finish.

Lesson No. 2: Jane Austen would turn in her grave if she could see this blasphemous production. Even ‘Clueless’ starring Alicia Silverstone was a much more entertaining adaptation. It kept the essence while transposing the context to fit an American high school rom-com. Best of all it showed the ability to laugh at itself – the protagonist is ‘clueless’ but well-intentioned and likeable. Something that Aisha definitely isn’t. Aisha is just a spoilt Delhi brat. Sonam’s affectations were not cute.

Lesson No. 3: Clothes may make the man but they do not make a movie. I went to see a fun story about fun characters peppered with fun dialogues. Haute couture would have been a bonus not a necessity. Sonam Kapoor has chosen her home production as a forum to highlight her love for designer labels. Looks like they paid so much attention to the clothes, bags and shoes, they forget about screenplay, dialogues and characterization.

Lesson No. 4: Abhay Deol is possibly the best thing to come from the House of Deol since the founder father, Dharmendra. He is a natural performer and stands out amongst a bunch of wannabes. (Actually I feel bad for Sunny – he wasn’t that bad. Despite trying to fend off the whole of Pakistan with a tubewell. It’s basically Bobby who bombed the House of Deol).

Lesson No. 5: ‘Gal mithi’ is the only song that stays with you. And that plays right at the end. With all the girls in South Indian style dressing. Why? Who knows. Just another loose end like so many others in the movie.

Rate this 4/10. And maybe I’m being generous.